Head’em up move’em out!
Get your Stage tickets, gather up the wagons, pull out the buckboard, hop the old Union Pacific, saddle up your horse. Head for Jean NV From April 30th to May 2nd, 2010.  Find out how the real Las Vegas was started.... Long before the flashing lights, the Marquees, and the big name draws.

That’s right The Reenactment Guild of America and Gold Strike Hotel & Gambling Hall want to offer you a big HOWDEEEEEEE....and welcome you to the first Southwest gathering of the “Old West“; Jean Nevada Style.

This event holds the promise that the streets of Old Jean, Nevada will have you stepping back to days long passed. Gunfighters, Chuck Wagons, Living History Encampments include Mountain Men, Native Americans…. Teepees’ and all.

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Many of the groups I talked to were looking forward to Goldstrike and the competition it is going to provide. New faces, new groups and new formats provide a new found excitement in the reenactment arena.

I was able to corner the officers of the Reenactment Guild of America and they offered an exceptional insight to the RGA.

 

Do you have a comment or idea for publication? Please submit it to publisher@wildwestgazette.com for submission.

Judging Events by RGA - Gary Burden (Cody) deputy director of the Reenactment Guild of America (RGA) took a few minutes from his busy schedule to provide the Wild West Gazette his perspective on this new, effective, organization. RGA is about 4 years old and is: an organization    of Living Historians, Educators, Entertainers  and Reenactors dedicated to the preservation of and education regarding the History of America's 19th Century, primarily but not restricted to the American Old West.

Cody has been a re-enactor since 1994 and judged numerous contests throughout those years.  Accurate portrayal is a major judging objective of the RGA. Costumes need to be as authentic as possible in order to present to the public an accurate representation of life in the 1800’s; therefore, unbiased judging is required.  Rules are consistent, a major element in unbiased judging. Non competitors, (during that event) students of history, and western enthusiasts are great candidates to be judges at RGA events.

Cody explained the process as follows. Each judge is provided a score sheet. The judge then scores the contestant, skit etc… using his/her experience and agreed upon rules, posted on the RGA website.

The contestant, who performs proper research, creates an authentic costume, follows the RGA rules, especially safety; has a great chance at the 1st place prize. A wonderful aspect of this organization and the judging is that everyone, from novice the master, has an equal chance based on the degree of authenticity the contestant has developed into the character portrayed. Characters can be real or fictional as long as they portray the ‘era’ represented. An example is a gunslinger of the 1860’s era cannot be wearing an 1870’s era Colt Revolver.

Skits require scripts, blocking, and acting. The “Actors” need to act out the skit, not just shoot for the sake of shooting. Judging of the skits uses these elements to determine the best skits.

Once the event is closed the judges score sheets are handed to the people who compile the scores and a winner is determined. Judges do not confer with anyone, especially each other, and each sheet is tallied. The highest score wins. This seems to me to be non-political and unbiased judging.

GunfightersFor 12 years' Gunfighters’ have been invited to the Yuma Territorial Prison to compete for prizes and the honor of being the best in the southwest as a group and for individual prizes. Texas, New Mexico, California Nevada and Utah gunfighters have combined with Arizona gunfighter groups to create one of the largest events in the Southwest;  ‘The Gathering of Gunfighters at Yuma.’

 

 This 12th year was more exciting than the previous events. Thirteen was a lucky number for this exceptional RGA event, because 13 seasoned, well scripted, blocked action skits  competed for the top prize of.....

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Boots and Bustles

           A Day at the Gathering of Gunfighters

   Somewhere in the middle of a long stretch of peaceful desert between Prescott and Quartzite my husband suddenly yells “Oh CRAP!” from the passenger seat next to me. “What, WHAT? I yell as I slam on the brakes, thinking we are about to hit something.  “I just realized I forgot to pack my watch!” As my heart rate returns to normal, and I re-apply pressure to the gas pedal,  I assume my calmest “good wife” voice and ask, “Are you sure?” It won’t be until we unload the car at the hotel in Yuma – our destination for the 12th annual Gathering of the Gunfighters - that I will realize I have also forgotten a “vital” item of clothing, which for the sake of modesty, shall remain un-mentioned here.

   Dale and I are members of a shiny new re-enactment group called the Boots and Bustles, and we’re anxious to make a good showing with both costumes and skits at the weekend’s events. There have already been months of preparation for the skit competition; writing the skits, casting the parts, and performing endless rehearsals. And then there is the matter of costuming. Two of our newest members didn’t seem to grasp the concept of period-correct attire, or the fact that their clothing must match the characters they had chosen to play. Our bartender wanted to dress up like a cowboy, and one of our widows had selected an outfit suitable for a saloon girl. At this point, diplomacy – by necessity – had been refined to a fine art.

   Soon after we arrive, we gather at the Yuma Prison and everyone gets their first look at where we will be performing. Everything must be played out so that the judges and audience will be able to see and hear us; no small feat, we realize, as a train rumbles by for nearly 15 minutes just on the other side of the wall behind us.

   Saturday morning is crisp as we arrive, though nothing close to the sub-freezing temperatures we are used to waking up to in Prescott. The vendors are busy opening up their booths, and the smell of coffee wafts across the prison yard from the food concession. We all step into the courtyard on the far side of the museum to practice. “Now hold on just a dern minute there Sam! What have you got to offer a sweet little thing like this? You and Marsha live out there by Lynx creek in a run-down old miner’s cabin.”

   By the end of the weekend all of our hard work and preparation had paid off. The Boots and Bustles took away 14 awards between the skits and the costume contests, and we discovered that we missed taking the third-place trophy by a mere two points. Only 17 points separated the first-place group and the Boots and Bustles. It is probably a good thing that we didn’t take home a trophy our first time out, or there would have been no living with us. As it is, we are already writing new skits and making plans for next year. What a ride!

  All told, the best part of the weekend was the opportunity to meet and mingle with the other groups. New contacts and friendships begun at the gathering carry the promise of future events and competitions, and conversations about costumes, shootin’ irons, and how the judges make decisions enrich the time we spend. Most importantly, there is a sense that what we are doing will help ensure our old west history will be kept alive for the next generation.

Sue McDonald, AKA Fannie Bashford

Chairperson – Boots and Bustles

Gathering of the Gunfighters
Friday Jan 8th 2010



Saturday Jan 9th 2010







More Pictures of Gathering of the gunfighters

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